The bxmeter from Brainworx is a dynamic range meter plug-in with an M/S (Mid/Side) mode that allows for visually analyzing audio signal in many useful ways. The software displays peak and RMS values of mixes, and can also show the relationship between both using the centered dynamic LEDs. A mid/side mode is available in addition to the standard left/right mode, and offers three different weightings for displaying the dynamics in ways that users like to hear them. For additional monitoring, solo switches are provided.
Peak, RMS and dynamic range metering with left/right and mid/side modes Numeric displays for Peak, RMS and dynamic range Peak hold and RMS hold function Stereo, link and M/S modes View mid and side signal separately Balance and correlation meters Left/right flip easily swaps left and right channels of any stereo signal or the master summing bus Solo listen buttons for left, right, mid and side signals Weighing filters (A, C, K) including solo listening mode Bob Katz K-Metering standards: K-20, K-14, K-12 Floating dynamic LEDs 'Legacy' look mode. The bxshredspread from Brainworx is stereo processor plug-in for use on stereo guitar subgroups or stereo guitar channels with the main purpose of making sure the stereo (doubled) guitars sound wide and full, with as little effort as possible. Doubled guitar tracks will benefit most from the auto-correcting features and the 'SHRED-filter' of the plug-in, but the software will work on conventional stereo guitar sounds and stereo samples as well.
Bx_digital V2 is a state-of-the-art digital mastering processor that provides you with a mastering class 11-band equalizer, M/S De-Esser, Mono-Maker and intelligent Bass- and Presence-Shifters, plus extra M/S features, such as Pan. Torrent source for music production. Publisher: Function Loops Website: www.producerloops.com Format: WAV, MIDI, SYLENTH1 Quality: 24 bit 44.1 kHz stereo Description: Future Pop Vocals offers a variety of vocal loops, sliced and intended for Pop, RnB, Trap, Future Bass and other popular genres, swinging the charts right now.
Using M/S technology, the software provides control over panning, stereo width and the tone of stereo guitar tracks/groups, while automatically avoiding the typical phase problems that can occur when using M/S processing. Although mainly created for guitars, the plug-in can also be used on keyboard groups, organs, choirs, etc.
Intelligent stereo width, panorama, and tone control plug-in Individual controls for tone, stereo width, mono bass and 'mono pan vs. Bxstereomaker from Brainworx is frequency-optimized Mid/Side (M/S) up-mixing tool for vocal, guitar, loop, synthesizer, or effects tracks recorded in mono. The plug-in can be used for most mono sources and creates a pseudo stereo effect that is perfect for situations where widening a source with reverb or chorus won't do, but where the signal needs to be spread out. Usage is especially useful for today's 'tight' pop mixes where focus mustn't be lost. The software creates a virtual side (S) signal with analog style filters using advanced processing and the virtual side can be soloed as can the dry mid (M), non-spatial signal.
Additionally, it's possible to balance the center of the stereo signal while paying attention to its frequency range. The bxcontrol V2 from Brainworx is a control listening tool with an M/S matrix, built-in Mono-Maker for collapsing the bass component of a stereo file to mono, and stereo width control. It is possible to chain any stereo plug-in, including those from other manufacturers into the M/S matrix to get access to these processes. The plug-in also features high-resolution Peak and RMS level metering in AES 17 and square wave formats. Four dedicated buttons offer solo listening to the mono sum, stereo difference signal, left channel, right channel, phase-corrected and in mono on both speakers or in place. Easily swap channels with a left/right flip switch.
The software is also a perfect M/S recording tool that can be used as a latency-free mid/side matrix in any recording session. The bxlimiter from Brainworx is a simple but effective low latency limiter plug-in with features that make it an excellent mastering tool, but also useful for mixing duties. Use the dry/wet control to smash up drum beats, pull up vocal details in mixes, control bass sounds, etc., and then seamlessly blend from linked to unlinked mode for stereo mastering. Additional processing can be achieved by driving individual tracks or stems hard into the limiter to trigger saturation while still maintaining overall levels. Parallel processing can create vintage drum and vocal sounds or special effects of all kinds.
And in this case it is important to keep multiple-track peak levels under control, rather than trying to do all the work on the master buss. Bxhybrid V2 from Brainworx is an eleven-band EQ plug-in, but with a multitude of selectable filter types, including shelving, high- and low-pass and notch filters, and peak bands. The software is particularly suited to mixing and mastering and when used in conjunction with an Avid ICON console, all controls can be mapped to the center section EQ of the controller.
Additional filters include sweepable bass and presence shifter EQs with control of shifters available via joysticks, including the ICON surround panners. For further control of the stereo image, various Mid/Side modes are available depending on the type of configuration used. Individual bypass switches are available for almost every feature, as is in the stereo version extensive individual metering for left/right and M/S levels.
A switchable EQ panel provides multi-mode EQ displays, such as actual EQ curves, bypassed curves, left and right channels and Auto Listen modes. The plug-in is fully automatable.
Bxrockrack PRO from Brainworx is a guitar amplifier simulation plug-in featuring seven distinct units, including two new jazz models. Although by some standards the choice of amplifiers may seem low, there is no redundancy here. What is provided are authentic and accurate emulations that do justice to the various sources. The software is easy to use - just select a speaker and adjust EQ and gain on the amplifier, and play. There is also the choice of removing the speaker from the chain if other speaker emulation software is used. The noise gate has been improved.
Finally, the plug-in can be used in live situations by taking an audio feed from the computer and re-amplifying through a real amp and speaker combination. The bx dynEQ V2 from Brainworx is a dynamic EQ plug-in using innovative M/S features and an Inverse Mode that allows for results not possible with standard EQs. A dynamic EQ is a filter that is not limited to a specific gain level, but which changes gain settings according to the dynamics of a trigger signal. This trigger signal can be the whole signal running through the plug-in or just a filtered part of that signal, using the internal filtered sidechain. The plug-in comprises three parts: bxdynEQ mono, bxdynEQ stereo (L/R) and bxdynEQ stereo (M/S). The M/S mode features a 'cross-feed' setting which allows the mid and side signals to 'trigger' each other.
A comprehensive selection of filter types is included. Preset knobs in the GUI enable the engineer to easily find starting points for any desired processing.
In addition to being an EQ, the software can also function as a dynamics processor. BxXL V2 from Brainworx is a low latency, M/S mastering limiter whose main purpose is to make mixes loud while keeping them clear (undistorted). Many modern productions are loud while at the same time having no dynamics. The aim of the plug-in is to make tracks as loud as any major label production and less squashed than many of them. The software converts stereo signals into M (mid/sum) and S (side/difference) signals and splits the M channel into two bands (high and low).
This allows for limiting and leveling three individual channels to increase loudness and improve clarity of stereo mixes with much less distortion artifacts while still keeping the 'punch.' The bxpanEQ from Brainworx is a panoramic EQ plug-in that allows you to separately EQ or reposition an instrument within a full mix, without affecting instruments panned to other positions in the stereo panorama. It is offered as a precise and powerful tool to help you sculpt the stereo field to your liking, while mixing or mastering. At the heart of the bxpanEQ is a Focus control for each filter.
It adjusts how wide the filter effect will be in the stereo panorama, allowing for broad-stroke or surgically precise adjustments in your mix. This lets you EQ a crash cymbal buried in a stereo mix without affecting other slices of the stereo field or move a dead-center lead synth to the right or left of the sound stage. Music producers can stretch the width of an acoustic guitar track by boosting higher frequencies at pan positions from left to right or automate bands to fly across the spectral analyzer for unique stereo filter effects. Mastering engineers can discretely equalize localized spectral imbalances to correct a lopsided mix.
The panoramic spectral analyzer provides intuitive visual controls, displaying the frequency spectrum and the amplitude of your EQ boosts & cuts across the stereo field, in real time. You can also adjust the stereo position and relative gain of each band directly from within the display. Furthermore, the software features a resizable interface, allowing you to increase the size of the analyzer to comfortably work on larger displays. The bxbassdude plug-in from Brainworx accurately emulates the classic sound of the iconic early 1960's Blonde guitar/bass amplifier. It produces warm cleans until you hit about 4 on the Volume dial, at which point a smooth tube overdrive with rich harmonics and a touch-sensitive response, magically emerges. While capturing the vintage feel of the original, the bxbassdude offers all the features that are essential to creating the amp's sought after tonal nuances. It comes with a Normal channel for guitars and a Bass Instrument channel that lets you warm up a bass track quickly and easily.
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Each channel is equipped with independent Volume, Treble, and Bass controls. The Presence knob adds versatility to your overall sound. Accurate modeling of 35 Impulse Responses (IRs) was achieved using several cabinets and nine high-end modern & vintage microphones, all running through a Neve VXS72 console and outboard EQs from Millenia, SPL, and elysia. The resulting tones can be selected from a simple menu inside the interface.
This plug-in version also offers useful effects not found on the original unit including noise-gate, low-fidelity delay, and power soak. The bxbluechorus2 plug-in from Brainworx brings the classic chorus pedal tone into your DAW by faithfully emulating the popular Boss CE-2 chorus pedal. This plug-in emulates the circuitry and sonic characteristics of the pedal's Japanese version built during the late 80s and early 90s, which is considered the finest by most tone gurus.
As with the original, it delivers rich, liquid tones ranging from subtle chorusing to dramatic rotating speaker (Leslie) effect. Simple to operate with just Rate and Depth controls, the bxbluechorus2 offers additional features such as mono/stereo modes, automation of parameters, and noise-free operation. It also comes with a group of presets to help you get started quickly with your sound. The BxCleansweep Pro from Brainworx is an analog-style HP/LP filter primarily designed to reduce and remove the imperceptible sub-sonic rumble and super-sonic noise in your mix, bringing out the intended character of your sound.
It can also be used to create spectral sweeps and effects when designing sounds. At the core of the plug-in is a Butterworth filter with gently sloped curves (6 dB/octave) that produce a musical and non-intrusive effect when zeroing-in on a frequency. This modeling of analog filter curves (Anti-Crush technology) helps prevent the harshness and aliasing found in common EQ plug-ins. This third generation of the bxcleansweep comes with five additional filters each with adjustable slopes and character.
It also features a graph that shows Phase, Group Delay, Magnitude, and Spectrum Analysis. In this version, you can switch between a Joystick or a Matrix for fast and intuitive dual-filter control. The Input gain knob lets you compensate for post-filter volume reduction, while the Phase button lets you experiment with phase reversal. Joint HP/LP filter with in-depth frequency response control Filter Types: Butterworth, Bessel, Chebyshev I, Chebyshev II, Elliptic, Resonant Butterworth Each filter adjustable up to the 6th order Joystick/matrix controller manipulates both HP and LP filters on an X/Y plane, creating an intuitive interface for honing-in on character View Modes in graph panel with value callouts at each coordinate: Spectrum analyzer, Magnitude, Phase, Group Delay Input Gain allows compensation for post-filter volume reduction Phase reverse tool button. The bxconsole plug-in from Brainworx brings analog realism to in-the-box mixing by faithfully emulating the tone and the large-mixer feel of the iconic Neve VXS console. The plug-in is powered by Brainworx' Tolerance Modeling Technology (TMT), which allows for the emulation of channel-to-channel sound variations that are caused by fluctuations in the manufacturing tolerances of the console's analog components.
When taken across all 72 channels, these small variations play a large part in giving the Neve VXS its unique sound. Bringing you all the features from the original such as four-band EQs, high-pass/low-pass filters, and a comprehensive dynamic section with compressor/limiters, and expander/gates, this plug-in also offers new options to help you tailor your sound with greater precision. The Noise Control function allows you to mimic the noise level of the original or to maintain the console's tone without any noise. Additionally, EUCON parameter mapping is available for working with Avid controllers. The bxconsole comes loaded with plenty of useful presets to give you a starting place for finding your sound. The bxdigital V3 Mid/Side EQ from Brainworx represents a complete overhaul of the bxdigital EQ, the company's flagship product. It includes all the features and character that made the bxdigital V2 a modern classic for many engineers, while introducing a plethora of powerful new tools designed to improve your workflow.
You can widen or focus mixes or add presence and transparency to your sound, whether using this plug-in to master music, or as a conventional stereo EQ on sub-groups, or in M/S recording mode for creating exceptionally mono-compatible stereo signals. The 11-band equalizer offers parametric bell, high- and low-shelving, and high- and low-pass filters for each channel. The upper range of the high-frequency band is now extended to 40 kHz to add 'air' to high-resolution audio tracks, while the Bass Shift and Presence Shift modules were upgraded to give you a total of three different tones. The popular Mono Maker option still lets you fold a mix down to mono below a frequency of your choice, to ensure that the bass-section is tight and compatible for vinyl-pressings. New features include six notch filters to help you manage problematic frequencies or unwanted room noise, API-style Proportional Q filters that let you target frequencies with more precision, Dynamic EQs that let you de-ess but also boost frequencies according to incoming signal, and a Gain Scale knob that functions as a global more/less setting for all the EQ parameters.
The bxdigital V3 offers accurate frequency-response representation via two graphs at the bottom of the interface, while balance and correlation meters show critical information concerning the final stereo image after processing has been done. Flexible control linking allows you to independently link each band and filter with its respective counterpart in the opposing channel. The bxdistorange from Brainworx is an accurate plug-in emulation that brings the classic tone of the popular Boss DS-1 distortion pedal right into your DAW. Introduced in 1978, the DS-1 has become a pedalboard staple for guitarists around the world and is used for all flavors of rock - everything from experimental to indie to modern to heavier, grunge-infused genres. Simple to operate, this plug-in version features the tone, distortion, and level controls found on the original, but also offers additional options such as mono/stereo modes, automation, and noise-free operation.
It also comes with presets to quickly get you started with your sound. The bxgreenscreamer from Brainworx is an accurate plug-in emulation that brings the classic tone of the popular Ibanez TS808 Tube Screamer pedal right inside your DAW.
Built around the JRC 4558D integrated circuit (IC) chip, the bxgreenscreamer delivers a thick, vocal-like mid-range tone, great for warming cleans or for punching them to a crunch. As with the original, tone, overdrive, and level controls let you create your own flavors of distortion, but this plug-in version also offers additional options such as mono/stereo modes, automation, and noise-free operation. It also comes with presets to quickly get you started with your sound.
The bxmegadual plug-in from Brainworx faithfully emulates the sound of the legendary MESA/Boogie Dual Rectifier tube guitar amplifier, delivering the full range of tones found in the original amp, from sparkling cleans, to crunch, to soaring solo tones and full-blown high-gain metal mayhem. Its versatility makes it a useful tool for any producer/musician who records electric guitars, and a joy to play for any guitarist. Not only is the tonal soul of the original captured, but so are all the features which give it such a wide sonic palette. You will find the Rhythm channel with its Pushed switch and the two Lead channels with their choice of Raw, Modern, and Vintage modes. Each channel comes with independent Gain, Treble, Mid, Bass, Presence, & Master Volume controls.
Also present is the Bold/Spongy switch to simulate reduced voltage to the output transformer (Variac) and the Vacuum/Solid switch to select between vacuum-tube or solid-state circuitry. Accurate modeling of 64 impulse responses (IRs) was achieved using three Mega cabinets and nine high-end modern & vintage microphones, all running through a Neve VXS72 console and outboard EQs from Millenia, SPL, and elysia.
The resulting tones can be selected from a simple menu inside the interface. This plug-in version also offers useful effects not found on the original unit including noise-gate, delay, and power soak. The bxmegasingle plug-in from Brainworx faithfully emulates the sound of the MESA/Boogie Single Rectifier tube guitar amplifier, delivering the full range of tones found in the original amp, from sparkling cleans, to crunch, to soaring solo tones and full-blown high-gain metal sounds. Its versatility makes it a useful tool for any producer/musician who records electric guitars, and a joy to play for any guitarist.
Not only is the tonal soul of the original captured, but so are all the features that give it such a wide sonic palette. You will find the Rhythm channel with its Pushed switch and the Lead channel with its choice of Raw, Modern, or Vintage modes. Each channel comes with independent Gain, Treble, Mid, Bass, Presence & Master Volume controls. This plug-in version also offers useful effects not found on the original unit including noise-gate, delay, and power soak. Accurate modeling of 64 impulse responses (IRs) was achieved using three MEGA cabinets and nine high-end modern & vintage microphones, all running through a Neve VXS72 console and outboard EQs from Millenia, SPL, and elysia. The resulting tones can be selected from a simple menu inside the plug-in.
The bx-opto plug-in from Brainworx combines the qualities and anomalies of several classic optical compressors, to bring the unique characteristics, colors, and features of light-dependent circuitry to your DAW. Far from being transparent, this plug-in lets you gently level or completely raze your sound, with harmonically pleasant results. Optical compressors are appreciated for their musical, program-dependent character produced by the light-dependent circuitry of their sidechain.
The bxopto not only delivers that musical quality, but opens up new sonic possibilities with its variable Speed knob, simulating changes in speed at which the photo cell in an optical compressor reacts to light. This gives you control over release times that shape transients, in a manner that is unmatched by hardware optical compressors.
This plug-in also features a sweepable (20 Hz-20 kHz) sidechain filter, a wet/dry mix control for parallel processing, and a meter for accurate reading of the amount of gain reduction. The bx-opto Pedal plug-in from Brainworx is a slimmed-down version of the company's bxopto optical compressor. It brings the unique characteristics, colors, and features of light-dependent circuitry to your DAW with a simpler interface and a guitar-pedal feel. Far from being transparent, this plug-in lets you gently level or completely squash your sound with harmonically pleasant results. The bxopto Pedal not only delivers the musical quality produced by the light-dependent circuitry of its sidechain, but opens up new sonic possibilities with its variable Speed knob that simulates changes in speed at which the photo cell in an optical compressor reacts to light. This gives you control over release times that shape transients, in a manner that is unmatched by hardware optical compressors.
Featuring a Density knob for combined control over the amount of peak reduction and make-up gain, a Trim knob to tweak your gain staging, and a guitar-pedal style power button, the bxopto Pedal can double as a gain pedal that lets you add extra color when needed. Simplified version of Brainworx's bxopto optical compression plug-in with the same light-dependent circuitry – great on guitars, basses, vocals and drums Not a transparent compressor - gently level or completely raze your sound with harmonically pleasant results All-in-one sidechain input/makeup gain with Density control knob Speed knob controls the coefficient of Light Dependent Resistor (LDR), creating unique transient responses Guitar-pedal style power button Output trim prevents overdriven signal from clipping. The bxrefinement plug-in from Brainworx brings the tone of tube-like analog mastering into your DAW. Subtle saturation and presence controls enhance the material without changing its character, making it ideal for audio engineers looking to tame unpleasant digital harshness, on individual tracks or in mixes and masters. The Damping control reduces unwanted frequencies by a fixed dB value using a peak band EQ, which is at the core of this plug-in. It also sets the constant baseline of reduction, which can be altered/increased by a variable value using the Dynamics or Oscillator options.
You can easily target problem areas by using the Solo Filter button, which lets you listen to only the frequencies you're removing, while the Soft/Hard function sets the character of the processing. As you tweak the bxrefinement controls, the tube graphic glows to give you precise visual feedback showing you how much, how fast, and how dynamically the process is being applied. The bxyellowdrive plug-in from Brainworx brings the classic overdrive pedal tone into your DAW by faithfully emulating the popular Boss SD-1 Super Overdrive pedal. Built around a unique, asymmetric overdrive circuitry, the bxyellowdrive delivers smooth, tube amplifier-like distortion with tones ranging from warmed-up cleans to singing overdrive effects. It responds authentically to your picking technique, as when played through an amplifier. As with the original, tone, drive, and level controls let you create your own flavors of distortion, but this plug-in version also offers additional options such as mono/stereo modes, automation, and noise-free operation.
It also comes with presets to quickly get you started with your sound. The bxsaturator from Brainworx is an M/S and multi-band saturation plug-in suitable for mastering, mixing, and sound-design. It offers a warm and subtle distortion on individual signals but can also be applied to the stereo master channel using the M/S stereo model.
Dedicated crossover technology ensures that the mid and side channels are always perfectly in phase. Uses include increasing the perceived volume of mixes without clipping them, or bringing out certain signals like acoustic guitars and percussion in full mixes without increasing actual levels or applying EQ to them. Distort vocals in full mixes without adversely affecting the drums or the clarity of keyboard sounds and stereo guitars. Thirty presets are provided for getting started straight away. System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher).
System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher).
System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher). System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, TDM/Venue, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, TDM/Venue, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher).
System Requirements Mac OS X Intel CPU only (2 GHz or higher recommended) OS X 10.6 Snow Leopard or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher Audio Units, AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher) PC Intel-compatible CPU with SSE2 instruction set (Pentium 4 compatible or higher with at least 2 GHz processor recommended) Windows XP or higher 2 GB RAM Display resolution of 1440 x 900, 1280 x 960 or higher AAX Native, RTAS, VST2.4, VST3 compatible host (Pro Tools 9.0 or higher).